Easyjet: tre film berlinesi sulla musica techno

Matteo Galli

Abstract


Starting from a historical-sociologic background which authenticates the proportions of the Techno phenomenon on the Berlin stage, the essay analyzes three German movies of the last decade, two documentaries and a fiction movie, which narrate according to different ways some of the typological characteristics of the Techno universe: time and space suspension, the role of sex, drugs consumption, music.

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DOI: http://dx.doi.org/10.15160/1826-803X/184

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ISSN: 1826-803X

Gli articoli pubblicati in questa rivista sono stati valutati, in forma anonima, dal Comitato Scientifico e da referees internazionali, anch’essi coperti da anonimato.